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Dances - Manipuri
MANIPURI DANCE
PRATHAMA (First
Year) PRACTICAL
M.M.-200
1.
Basic
movements
of
the
body.
2.
Chali
Nritta.
(Traditional
dance
composition).
3.
(Punglol
Nritta)
Nrittabandha
-
Dance
on
rythm
patterns
(Alankaras)
(a)
Tanchap
- (Taal
Tanchap on
4 or
8 matras)
Lasya
and
Tandav,
Two
Alankar
each.
(b)
Menkup
- (Tal
Menkup on
6 matras)
Lasya
and
Tanday,
Two
Aalankar
each.
(c)
Chali
Pareng
- (Chali
Tal of 8 Matras)
Lasya and
Tandav, 2 Alankar
each.
4.
Knowledge
of
Taal,
matra
and
Tali,
Khali
etc.
Note:
There shall
be no
Theory paper
in Prathama
(First year)
Manipuri
Dance.
MANIPURI DANCE
PRATHAMA
PRACTICAL
M.M.-200
1
(Punglol Nritta)
Nrittabandha -
Dance on
talas and
rhythm patterns
Alandaras).
(a)
Tanchap
-
Lasya
and
Tandav
(2
Alankaras).
(b)
Menkup
-
Lasya
and
Tandav
(2
Alankaras).
2
Nritya
Pradandha
-
Pure
dance
on
songs.
(a)
Gopi
Abhisar
(b)
Radha
Abhisar
(c)
Krishna Nartan
3
Festival
Dance
-
Maibi
Dance.
4
Knowledge
of
Talas,
Bols
and
songs
of
dances
learnt.
MANIPURI DANCE
PRATHAMA
THEORY
M.M.-100
1
To
write
the
bols
in
notation.
2
Knowledge
of
Taal,
Laya,
Matra,
Sangit
etc.
3
Knowledge
of
Pung
Cholom
and
Kartal
Cholam.
4
Short
history
of
Laiharoaba.
5
Technical terms
in Taal
and dance,
e.g. Paring.
(Theka), Pareng,
Chattaba, Baglei,
Khaiba, Athaba.
6
Different
dance
festivals
performed
in
Manipur
MANIPURI DANCE
MADHYAMA
PART - I
PRACTICAL
M.M.-200
1
Nrittabandha dance
on rhythm
pattern Tal Surfak 10
mantras ( two alankar)
2.
Pure
dance
on
prabandh
song
A.
Taal
charitaal
with
song
(
lasya)
B.
Krishna Abhisar
3.
Rakhal
Gostha
Bhangi
Pareng
4.
Hast
mudras
single
and
double
according
to
Abhinay
Darpan
5.
Knowledge
of
Taal,
bol
and
songs
of
the
dance
learnt
MANIPURI DANCE
MADHYAMA
PART- I
THEORY
M.M.-100
1.
Importance
of
Bhangi
Pareng
in
Manipuri
Dance.
2
Detailed
sequences
of
various
Rasleelas
performed
by
Manipuries.
3
Tanchep
Parans
of
Taal.
4
Short history of
Nangpok-Ningthou and Panthoibi
and
Khamba
Thoibi.
5
Division
of
Nartan
according
to
Shastra.
6
Technical terms
in dance
and tala,
e.g. Jagoi,
Alankar, Punglon,
Tanpok, Ipom
Phibam.
7
Knowledge
of
Talas,
bols
and
songs
of
the
dance
learnt.
MANIPURI DANCE
MADHYAMA
PART- II
PRACTICAL
M.M.-200
1.
Nrittya
bandh
dance
on
rhythm
pattern
Tal
12
mattra
two
alankar
2.
Pure
dance
on
prabandh
song
16
matra
with
song
lasya
3.
Radha
abhisar
(
lasya)
4.
Festival
dance
thoibi
nrittya
5.
Hasto
mudra
single
and
double
complete
accordingly
Abhinay
darpan
6.
Knowledge
of
Taal
bol
and
songs
of
the
dance
learnt
MANIPURI DANCE
MADHYAMA
PART- II
THEORY
M.M-100
1.
Details
sequences
of
various
Rasleelas
performed
by
Manipuris.
2.
Short
history of
Nangpok..Ningthou and
panthoibi and
Khamba thoibi.
3.
Details
study
of
shero
bhed
according
to
Abhinay
Darpan
4.
Technical
terms
in
dance
and
talas...Tanpok,
Ipom,
Phibam.
5.
Knowledge
of
tal
and
bols
and
songs
of
the
dance
learnt
6.
Life
sketch
of
Jhaveri
sisters.
MANIPURI DANCE VISHARAD
PART- I
PRACTICAL
M.M.-200
1
Nrittabandha
-
Dance
on
rhythm
patterns.
(Taal
tevra
of
7
matra,
Two
Alankar)
2
Nritya
Pradandha-Pure
dance
on
prabhandha
song.
(a)
Tal
Choutal
of
12
Matra
with
song.
(b)
Radha
Nartan
(c)
Jugal
Nartan
3
Bhangi
Pareng -
Traditional Dance
Composition Achoula
Bhangi Pareng (Lasya)
4
Festival
Dance
-
Mandila
Nartan.
5
Hasta
Mudra
-
Double
hand
gestures
according
to
Abhinaya
Darpan.
6
Knowledge
of
Taal,
Bol
and
song
of
dance
learnt.
MANIPURI DANCE VISHARAD PART-
I
THEORY
M.M.-100
Revision
of
previous
course.
1.
Various
Talas
used
in
Manipuri
Dance.
2.
History
of
Manipuri
Dance.
3
Contribution
of
Maharaja
Bhagyachandra
in
Manipuri
Dance.
4
Knowledge
of
Musical
instruments
used
in
Manipuri
Dance.
5
Rabindranath
Tagore
and
Manipuri
Dance.
6
Four
kinds
of
Abhinaya.
7
Life
sketch of Guru M. Amubi Singh, Guru H. Atomba Singh, Guru Amudon
Sharma and Guru Rajkumar Senarik Sinha.
8
Myths
and
Legends
in
Manipuri
Dance.
MANIPURI DANCE
VISHARAD
PART- II
PRACTICAL
M.M.-200
Revision
of
previous
course.
1
Bhangi
Pareng
-
Traditional
Dance
Composition.
Gopi
Brindavan Pareng.
2
Nritya
-
Prabandha-Pure
dance
on
prabandha
song.
(a)
Krishna
-
Balram
Nartan
with
Gendu
Khel.
(b)
Krishan Narton.
(c)
Brinda
Nartan.
(d)
Jugal
roop
Varnan.
(e)
Khandita Nayika.
3.
Festival
Dance
-
Bhubak
Ishai.
4.
Knowledge
of
Taal,
bol
and
songs
of
dances
learnt.
MANIPURI DANCE
VISHARAD
PART- II
THEORY
M.M. 100
Revision
of
previous
course.
1
Taal,
bol
and
songs
of
the
dances
learnt.
2
The
influence
of
religion
and
dance
on
the
life
of
Manipuri
People.
3
Story
of
Radha
and
Krishna.
4
Short
history
of
Arjun
and
Chitrangada.
5
Costumes
of
Manipuri
Dances.
6
Knowledge
of
Nine
Rasas.
7
Knowledge
of
Nayikabhedas.
8
Basic
knowledge
of
Indian
Classical
Dances.
MANIPURI DANCE NIPUN PART- I
PRACTICAL
M.M.-200
Revision
of
previous
course.
1.
Bhangi
Pareng :
Rakhal
Gostha
Bhangi
Pareng (Traditional Dance Composition
on Tandav
Style)
2.
Nritya
Prabandha
:
Bramha
Taal
(Lasya
and
Tandav)
CHARTAL,
14
matra
Lasya
style. CHOUTAL, 12 matras
Lasya
style.
DASHKUSH TAL, 14, matra Lasya style.
3.
One
short portion of dance with song from Basanta Raslila (Faghu
Khel).
4.
Knowledge
of
the
following
Talas
:-
(a)
Jaidik -
Kata
(b)
Gojendro
-
Guru
(c)
Bishnu
Tal
(d)
Kokilprya
MANIPURI DANCE NIPUN PART- I
THEORY
PAPER -1
M.M.-100
Revision
of
previous
course.
1
Description with
illustration of
the names
of instruments and dresses used in Manipuri dance with their names.
2
The
bol
with
notation
of
prescribed
Dances.
3
Influence of
religion in
Manipuri Dance
and performance
of various dances
in various festivals.
4
Detailed description of
Manipuri Classical Dance. Folk dances and music
etc.
5
Biography of
Guru H.
Atomba Singh,
Guru M.
Amubi Sing,
Guru Rajkumar Senarik Singh and Guru Amudon Sharma.
6
History
and
Origin
of
Manipuris
(Vishnupriya
and
Meitei).
PAPER
II
An
Essay
on
any
topic
of
Dance
of
general
interest.
M.M.-100
MANIPURI DANCE NIPUN
PART-II
PRACTICAL
M.M.-200
1
BHANGI
PARENG-KHURUMBA
BHANGI
PARENG
(Traditional
Dance
composition
on
lasya
style).
2.
Dance
composition
from
the
Mythology.
(a)
Kalia
Daman,
(b)
Kanso
Badh,
(c)
Makhan
Chori.
3.
A
short
portion
of
dance
from
Maharas
Lila.
4.
Knowledge
of
the
following
Talas:-
(a)
Madna,
(b)
Kankan,
(c)
Pancham
-
Swad,
(d)
Ehokali
Juge
5.
Basic
knowledge
of
any
one
of
the
major
classical
dances
of
India.
MANIPURI DANCE NIPUN PART- II
THEORY
PAPER-I
M.M. -100
1
Study
or
the
various
forms
of
the
Stages
(Rangshala) as
explained
by Bharata
in his
Natyashastra.
2.
Study
of
Nayak
and
Nyika
Bhed.
3.
Comparative
study
of
Manipuri
Dance
with
Kathak
and
Bharatnatyam.
4.
Cultural influence
in Manipuri
Dance from
other nieghbouring
States.
5.
Short
history
of
Major
Indian
Classical
dances
of
India.
6.
Study
of
Indian
dance-drama,
traditional
and
modern.
7.
Ravindra
Nath
Tagore
and
Manipuri
Dance.
8.
Propagation and
innovation works
in Manipuri
dance by
the Artists and Teachers.
PAPER -
II
An
essay
on
any
topic
of
general
interest
of
Manipuri
Dance.
M.M.100
MANIPURI DANCE NIPUN PART- III
PRACTICAL
M.M.-400
Note: There
will be
no theory
papers. Only
practical examinations in two
part shall be conducted.
A
STAGE
PERFORMANCE
M.M.-200
Demonstration
and
questionnaire
of
the
following:
1.
Specialisation
in
performance
of
certain
Raslilas:-
(a)
Five
Bhangi
Parengs.
(b)
Abhinaya
of
Krisna,
Radha
and
Gopini
etc.
(c)
Composing of Nritta
and Nritya
on any
theme or
any song
as asked the
Examiner.
2.
Compositions
from
Jaidev's
Geet
Govinda.
B.
VIVA-VOCE
M.M.-200
1.
Contribution of Maharaj Bhagya Chandra, Maharaj Chandrakirti, Guru Navakumar Singh,
Rabindranath Tagore, Guru
M. Amubi
Singh, Guru H. Atomba
Singh, Guru
R. K.
Senarik Sinha
and others?
2.
History
of Bhatkhande Sangit Mahavidyalaya/Vidyapith Lucknow and other prominent
Music Institution of India their contribution to Manipur Dance.
3.
General
questions
on
Manipuri
Dance
and
its
technique.
4.
General
questions
from
general
theory
related
to
dance.
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